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The Fleet Street Murders (Charles Lenox Mysteries #3) (Paperback)
Other Books in Series
This is book number 3 in the Charles Lenox Mysteries series.
- #1: A Beautiful Blue Death: The First Charles Lenox Mystery (Charles Lenox Mysteries #1) (Paperback): $9.99
- #2: The September Society (Charles Lenox Mysteries #2) (Paperback): $17.99
- #4: A Stranger in Mayfair: A Mystery (Charles Lenox Mysteries #4) (Paperback): $17.99
- #5: A Burial at Sea: A Mystery (Charles Lenox Mysteries #5) (Paperback): $17.99
- #6: A Death in the Small Hours: A Mystery (Charles Lenox Mysteries #6) (Paperback): $17.99
- #7: An Old Betrayal: A Charles Lenox Mystery (Charles Lenox Mysteries #7) (Paperback): $17.99
- #8: The Laws of Murder: A Charles Lenox Mystery (Charles Lenox Mysteries #8) (Paperback): $17.99
- #9: Home by Nightfall: A Charles Lenox Mystery (Charles Lenox Mysteries #9) (Paperback): $17.99
- #10: The Inheritance: A Charles Lenox Mystery (Charles Lenox Mysteries #10) (Paperback): $17.99
- #11: The Woman in the Water: A Prequel to the Charles Lenox Series (Charles Lenox Mysteries #11) (Paperback): $17.99
- #12: The Vanishing Man: A Charles Lenox Mystery (Charles Lenox Mysteries #12) (Paperback): $17.99
- #13: The Last Passenger: A Charles Lenox Mystery (Charles Lenox Mysteries #13) (Hardcover): $27.99
- #14: An Extravagant Death: A Charles Lenox Mystery (Charles Lenox Mysteries #14) (Hardcover): $27.99
Called "absorbing" (Publishers Weekly) and "beguiling" (The New York Times Book Review), The Fleet Street Murders finds gentleman detective Charles Lenox investigating the mysterious, simultaneous deaths of two veteran newspapermen, while engaged in a heated race for Parliament.
It's Christmas, 1866, and amateur sleuth Charles Lenox, recently engaged to his best friend, Lady Jane Grey, is happily celebrating the holiday in his Mayfair townhouse. Across London, however, two journalists have just met with violent deaths—one shot, one throttled. Lenox soon involves himself in the strange case, but must leave it behind to go north to Stirrington, where he is running for Parliament. Once there, he gets a further shock when Lady Jane sends him a letter whose contents may threaten their nuptials.
In London, the police apprehend two unlikely and unrelated murder suspects. From the start, Lenox has his doubts; the crimes, he is sure, are tied. But how? Racing back and forth between London and Stirrington, Lenox must negotiate the complexities of crime and politics, not to mention his imperiled engagement. But as the case mounts, Lenox learns that the person behind the murders may be closer to him—and his beloved—than he knows.
About the Author
Charles Finch is the USA Today bestselling author of the Charles Lenox historical mysteries, which begin with A Beautiful Blue Death. His contemporary novel The Last Enchantments, is also available from St. Martin's Press.
Finch received the 2017 Nona Balakian Citation for Excellence in Reviewing, from the National Book Critics Circle. His essays and criticism have appeared in the New York Times, Slate, Washington Post, and elsewhere. He lives in Los Angeles.
“A beguiling Victorian mystery [with] an amiable gentleman sleuth cut from the same fine English broadcloth as Dorothy L. Sayers's Lord Peter Wimsey.” —Marilyn Stasio, The New York Times Book Review
“Deftly plotted and richly detailed, The Fleet Street Murders is a taut Victorian thriller delivered from the pen of a master.” —Deanna Raybourn, author of Silent on the Moor
“Somewhere in detective heaven, Sherlock Holmes and Lord Peter Wimsey are already preparing a glass of hot whiskey for Mr. Charles Lenox. This suave and flinty sleuth has a gorgeously dangerous future ahead of him, and so do lovers of Victorian mysteries.” —Louis Bayard, author of The Black Tower
“This third entry in Finch's series shows the author at his confident best, with a well-conceived story [and] an honorable and amiable hero.” —Richmond Times-Dispatch
“A charming and intelligent mystery series. . . . Finch effortlessly evokes a tone fitting the Victorian times, and that is a large part of his novel's charm.” —The Oregonian