After the Rain (Paperback)
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Coming Soon - Available for Pre-Order Now
Nnedi Okorafor’s story of Chioma, a young Nigerian-American woman whose destiny is revealed during a furious rainstorm—now in paperback, with bonus content including Q&As with the creative team and never-before-seen art and designs!
After the Rain is an adaptation of Nnedi Okorafor’s short story, “On the Road.” The adaptation, written by John Jennings and illustrated by David Brame, begins in Nigeria during a powerful and unexpected storm. While visiting her grandmother, a young Nigerian-American woman named Chioma answers a knock at the door and is horrified by what she sees—a young boy with a severe head wound is standing on the doorstep.
When he touches Chioma, his hand burns like fire and just as suddenly as he arrived, he disappears. Her grandmother comes down to see what is wrong and chastises Chioma for opening the door for a stranger. Outside there are only footprints in the mud which vanish in the same manner as their owner.
This event sets off a chain of mysterious occurrences that become more and more terrifying. Chioma knows that something is wrong, and that the boy has “marked” her in some way. . . . Haunted and hunted, Chioma must embrace her heritage in order to survive.
About the Author
Nnedi Okorafor, PhD, is a Nigerian-American author of African-rooted science fiction and fantasy. Her works include Who Fears Death, the Binti trilogy and the Akata series. John Jennings is the curator of the Megascope list and illustrator of the graphic novel adaptations of Octavia E. Butler’s Kindred and Parable of the Sower. He is a professor of media and cultural studies at the University of California, Riverside. David Brame is a talented comics artist who has worked on titles such as Box of Bones and Necromancer Bill. He lives in Mexico.
John Jennings, illustrator of Kindred: A Graphic Novel Adaptation, is a professor of media and cultural studies at the University of California at Riverside.
“Brame’s bold and arresting use of color and shading lends an unnerving atmosphere to the setting, while his attention to facial expressions injects the panels with emotion. This mostly faithful adaptation honors Okorafor’s voice and paints a potent portrait of Nigeria and its folklore.”
— Publishers Weekly
“This exploration of trauma and family history through the body is perfectly adapted to the graphic medium.”
“After the Rain is far more than a well-rendered tribute to a trailblazing black female writer. In this case, it's also a kind of visual incarnation of the story's theme… You don't simply observe Chioma's unwilling confrontation with the world her ancestors mythologized, you experience it.”
— NPR Books
“…a phenomenal and haunting story…”
— Comic Book Resources
“Jennings paints an initially terrifying reality, highlighting the vulnerability of self-discovery and the tension of being from two different worlds and cultures. Part horror, part magical realism, this #OwnVoices story is a worthwhile addition to any collection.”
— School Library Journal STARRED review
“After the Rain explores the boundaries we draw within ourselves, the way we seek to compartmentalize to fit in, and the remarkable people we find within ourselves when we break those barriers down.”
— Book Riot
“After The Rain is an intense realization of Okorafor’s short story and uses the horror elements to thematic effect in a visceral and important way, and as a statement of intention for what will follow at Megascope, it hints at exciting work to come.”
— Comics Beat
“…the story is best experienced rather than described, since its force is in its lush visuals and destabilizing twists. Okorafor’s original language gets heavily employed in swathes of text boxes and Damian Duffy’s kinetic lettering. That text from Okorafor’s story conveys the fearsome uncertainty in being carried into this frightening sequence of otherworldly trials.”
— Multiversity Comics